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			<guid><![CDATA[https://craigdabelstein.com/popular-music/]]></guid>
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			<title>Guimet: Popular Music</title>
			<pubDate><![CDATA[Thu, 07 May 2026 04:03:55 +0000]]></pubDate>
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			<guid><![CDATA[https://craigdabelstein.com/on-the-necessity-of-military-bands/]]></guid>
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			<title>Sax: On the Necessity of Military Bands</title>
			<pubDate><![CDATA[Thu, 07 May 2026 04:03:40 +0000]]></pubDate>
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			<guid><![CDATA[https://craigdabelstein.com/the-military-band/]]></guid>
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			<title>Bobillier: The Military Band</title>
			<pubDate><![CDATA[Thu, 07 May 2026 04:03:29 +0000]]></pubDate>
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			<guid><![CDATA[https://craigdabelstein.com/history-of-the-military-band/]]></guid>
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			<title>Neukomm: History of the Military Band</title>
			<pubDate><![CDATA[Thu, 07 May 2026 04:03:18 +0000]]></pubDate>
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			<guid><![CDATA[https://craigdabelstein.com/on-the-history-of-instrumental-music/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/on-the-history-of-instrumental-music/]]></link>
			<title>Eichborn: On the History of Instrumental Music</title>
			<pubDate><![CDATA[Thu, 07 May 2026 04:02:59 +0000]]></pubDate>
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					<item>
			<guid><![CDATA[https://craigdabelstein.com/militarism-and-music/]]></guid>
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			<title>Eichborn: Militarism and Music</title>
			<pubDate><![CDATA[Thu, 07 May 2026 04:02:29 +0000]]></pubDate>
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			<guid><![CDATA[https://craigdabelstein.com/the-military-band-and-the-musical-organization-of-an-army/]]></guid>
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			<title>Wieprecht: The military band and the musical organization of an army</title>
			<pubDate><![CDATA[Thu, 07 May 2026 04:02:15 +0000]]></pubDate>
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			<guid><![CDATA[https://craigdabelstein.com/francis-plante/]]></guid>
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			<title>Comettant: Francis Planté</title>
			<pubDate><![CDATA[Thu, 07 May 2026 04:01:46 +0000]]></pubDate>
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			<guid><![CDATA[https://craigdabelstein.com/the-need-to-reconstitute-the-school-of-military-music/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/the-need-to-reconstitute-the-school-of-military-music/]]></link>
			<title>Berr: The need to reconstitute the School of Military Music</title>
			<pubDate><![CDATA[Thu, 07 May 2026 04:01:00 +0000]]></pubDate>
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					<item>
			<guid><![CDATA[https://craigdabelstein.com/why-we-choose-sad-music-when-we-are-sad/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/why-we-choose-sad-music-when-we-are-sad/]]></link>
			<title>Why we choose sad music when we are sad: and not happy music to cheer us up</title>
			<pubDate><![CDATA[Thu, 07 May 2026 04:00:17 +0000]]></pubDate>
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					<item>
			<guid><![CDATA[https://craigdabelstein.com/the-impossibility-of-staging-a-concert/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/the-impossibility-of-staging-a-concert/]]></link>
			<title>The impossibility of staging a concert: why even the smallest concert demands impossible sacrifice</title>
			<pubDate><![CDATA[Thu, 07 May 2026 03:54:50 +0000]]></pubDate>
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					<item>
			<guid><![CDATA[https://craigdabelstein.com/before-another-library-burns/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/before-another-library-burns/]]></link>
			<title>Before Another Library Burns: why preserving forgotten music still matters</title>
			<pubDate><![CDATA[Thu, 07 May 2026 03:48:31 +0000]]></pubDate>
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			<guid><![CDATA[https://craigdabelstein.com/i-am-a-failed-conductor/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/i-am-a-failed-conductor/]]></link>
			<title>I am a failed conductor: a reflection on idealism</title>
			<pubDate><![CDATA[Thu, 07 May 2026 03:18:34 +0000]]></pubDate>
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			<guid><![CDATA[https://craigdabelstein.com/the-military-band-and-the-woman-who-wasnt-supposed-to-write-it/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/the-military-band-and-the-woman-who-wasnt-supposed-to-write-it/]]></link>
			<title>The Military Band — and the Woman Who Wasn’t Supposed to Write It</title>
			<pubDate><![CDATA[Wed, 06 May 2026 01:23:06 +0000]]></pubDate>
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			<guid><![CDATA[https://craigdabelstein.com/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/]]></link>
			<title>Home</title>
			<pubDate><![CDATA[Thu, 07 May 2026 03:03:39 +0000]]></pubDate>
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			<guid><![CDATA[https://craigdabelstein.com/festival-and-competition-of-bands-paris-1867/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/festival-and-competition-of-bands-paris-1867/]]></link>
			<title>Festival and Competition of Bands, Paris 1867</title>
			<pubDate><![CDATA[Wed, 06 May 2026 20:03:35 +0000]]></pubDate>
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					<item>
			<guid><![CDATA[https://craigdabelstein.com/on-music-conducting-and-other-things-i-pretend-to-understand/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/on-music-conducting-and-other-things-i-pretend-to-understand/]]></link>
			<title>Dabelstein: On Music, Conducting, and Other Things I Pretend to Understand</title>
			<pubDate><![CDATA[Thu, 07 May 2026 04:04:08 +0000]]></pubDate>
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					<item>
			<guid><![CDATA[https://craigdabelstein.com/the-king-kong-of-band-music/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/the-king-kong-of-band-music/]]></link>
			<title>The King Kong of Band Music</title>
			<pubDate><![CDATA[Wed, 06 May 2026 19:35:50 +0000]]></pubDate>
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					<item>
			<guid><![CDATA[https://craigdabelstein.com/the-retour-des-cendres/]]></guid>
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			<title>The Retour des Cendres</title>
			<pubDate><![CDATA[Wed, 06 May 2026 19:25:32 +0000]]></pubDate>
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					<item>
			<guid><![CDATA[https://craigdabelstein.com/alex-f-lithgow-works-vol-1/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/alex-f-lithgow-works-vol-1/]]></link>
			<title>Alex F. Lithgow, Works, vol. 1</title>
			<pubDate><![CDATA[Wed, 06 May 2026 01:37:47 +0000]]></pubDate>
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					<item>
			<guid><![CDATA[https://craigdabelstein.com/about-me/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/about-me/]]></link>
			<title>About me</title>
			<pubDate><![CDATA[Wed, 06 May 2026 01:32:00 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://craigdabelstein.com/the-miracle-nobody-notices-everything-that-has-to-go-right-for-a-school-music-program-to-succeed/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/the-miracle-nobody-notices-everything-that-has-to-go-right-for-a-school-music-program-to-succeed/]]></link>
			<title>The Miracle Nobody Notices</title>
			<pubDate><![CDATA[Wed, 06 May 2026 01:26:55 +0000]]></pubDate>
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					<item>
			<guid><![CDATA[https://craigdabelstein.com/let-the-music-speak-the-case-against-pre-performance-commentary/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/let-the-music-speak-the-case-against-pre-performance-commentary/]]></link>
			<title>Let the Music Speak: The Case Against Pre-Performance Commentary</title>
			<pubDate><![CDATA[Wed, 06 May 2026 00:57:44 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://craigdabelstein.com/the-least-criticised-of-all-musical-genres/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/the-least-criticised-of-all-musical-genres/]]></link>
			<title>The Least Criticised of All Musical Genres</title>
			<pubDate><![CDATA[Wed, 06 May 2026 00:55:48 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://craigdabelstein.com/old-rubbish-why-band-music-has-no-museum/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/old-rubbish-why-band-music-has-no-museum/]]></link>
			<title>“Old Rubbish”? Why Band Music Has No Museum</title>
			<pubDate><![CDATA[Wed, 06 May 2026 00:52:48 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://craigdabelstein.com/funeral-marches-and-the-sublime/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/funeral-marches-and-the-sublime/]]></link>
			<title>Funeral Marches and the Sublime</title>
			<pubDate><![CDATA[Wed, 06 May 2026 00:49:32 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://craigdabelstein.com/taste-emotion-and-the-conductors-dilemma/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/taste-emotion-and-the-conductors-dilemma/]]></link>
			<title>Taste, Emotion, and the Conductor’s Dilemma</title>
			<pubDate><![CDATA[Tue, 05 May 2026 22:18:45 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://craigdabelstein.com/taste-emotion-and-the-listeners-journey/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/taste-emotion-and-the-listeners-journey/]]></link>
			<title>Taste, Emotion, and the Listener’s Journey</title>
			<pubDate><![CDATA[Tue, 05 May 2026 22:16:37 +0000]]></pubDate>
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					<item>
			<guid><![CDATA[https://craigdabelstein.com/imperia-corrupta-cadunt-when-protest-comes-from-within/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/imperia-corrupta-cadunt-when-protest-comes-from-within/]]></link>
			<title>Imperia Corrupta Cadunt: When Protest Comes From Within</title>
			<pubDate><![CDATA[Tue, 05 May 2026 22:13:19 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://craigdabelstein.com/programming-is-not-neutral-conductors-courage-and-the-music-we-choose-not-to-perform/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/programming-is-not-neutral-conductors-courage-and-the-music-we-choose-not-to-perform/]]></link>
			<title>Programming Is Not Neutral: Conductors, Courage, and the Music We Choose Not to Perform</title>
			<pubDate><![CDATA[Tue, 05 May 2026 22:03:03 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://craigdabelstein.com/why-the-symphony-orchestra-became-art-and-the-band-did-not/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/why-the-symphony-orchestra-became-art-and-the-band-did-not/]]></link>
			<title>Why the Symphony Orchestra Became Art — and the Band Did Not</title>
			<pubDate><![CDATA[Tue, 05 May 2026 21:59:48 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://craigdabelstein.com/how-recording-changed-how-we-feel-music-2/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/how-recording-changed-how-we-feel-music-2/]]></link>
			<title>How Recording Changed How We Feel Music</title>
			<pubDate><![CDATA[Tue, 05 May 2026 20:04:56 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://craigdabelstein.com/the-soundtrack-of-thought-why-study-music-is-really-about-emotion-not-lyrics/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/the-soundtrack-of-thought-why-study-music-is-really-about-emotion-not-lyrics/]]></link>
			<title>The Soundtrack of Thought: Why “Study Music” Is Really About Emotion, Not Lyrics</title>
			<pubDate><![CDATA[Tue, 05 May 2026 19:59:52 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://craigdabelstein.com/why-passion-doesnt-save-music-education-an-australian-reflection/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/why-passion-doesnt-save-music-education-an-australian-reflection/]]></link>
			<title>Why Passion Doesn’t Save Music Education: An Australian Reflection</title>
			<pubDate><![CDATA[Tue, 05 May 2026 19:55:26 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://craigdabelstein.com/there-is-something-worse-than-a-student-not-experiencing-the-arts/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/there-is-something-worse-than-a-student-not-experiencing-the-arts/]]></link>
			<title>There Is Something Worse Than a Student Not Experiencing the Arts</title>
			<pubDate><![CDATA[Tue, 05 May 2026 19:51:29 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://craigdabelstein.com/thomas-allen-works-vol-1/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/thomas-allen-works-vol-1/]]></link>
			<title>Thomas S. Allen, Works, Vol. 1</title>
			<pubDate><![CDATA[Tue, 05 May 2026 19:45:52 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://craigdabelstein.com/the-benvenuti-collection-vol-1/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/the-benvenuti-collection-vol-1/]]></link>
			<title>The Benvenuti Collection, vol. 1</title>
			<pubDate><![CDATA[Tue, 05 May 2026 19:45:19 +0000]]></pubDate>
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			<guid><![CDATA[https://craigdabelstein.com/cookie-policy/]]></guid>
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			<title>Cookie Policy</title>
			<pubDate><![CDATA[Thu, 07 May 2026 02:54:54 +0000]]></pubDate>
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			<guid><![CDATA[https://craigdabelstein.com/the-challenge-of-honest-communication-in-music-education/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/the-challenge-of-honest-communication-in-music-education/]]></link>
			<title>The Challenge of Honest Communication in Music Education</title>
			<pubDate><![CDATA[Sun, 03 May 2026 22:36:37 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://craigdabelstein.com/conflicts-of-interest-in-the-wind-band-world-part-1/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/conflicts-of-interest-in-the-wind-band-world-part-1/]]></link>
			<title>Conflicts of interest in the wind band world, part 1</title>
			<pubDate><![CDATA[Sat, 02 May 2026 19:43:56 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://craigdabelstein.com/conflicts-of-interest-in-the-wind-band-world-part-2-a-rebuttal/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/conflicts-of-interest-in-the-wind-band-world-part-2-a-rebuttal/]]></link>
			<title>Conflicts of interest in the wind band world, part 2: A rebuttal</title>
			<pubDate><![CDATA[Sat, 02 May 2026 19:43:56 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://craigdabelstein.com/how-recording-changed-how-we-feel-music/]]></guid>
			<link><![CDATA[https://craigdabelstein.com/how-recording-changed-how-we-feel-music/]]></link>
			<title>How Recording Changed How We Feel Music</title>
			<pubDate><![CDATA[Sat, 02 May 2026 19:43:56 +0000]]></pubDate>
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			<title>Contact</title>
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			<link><![CDATA[https://craigdabelstein.com/books/]]></link>
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			<pubDate><![CDATA[Sat, 02 May 2026 19:43:43 +0000]]></pubDate>
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