Before Another Library Burns: how luck shapes music history
Every so often one encounters a story that reveals how terrifyingly fragile our musical inheritance really is.
Read moreCultural Archeologist

Every so often one encounters a story that reveals how terrifyingly fragile our musical inheritance really is.
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Held during the Exposition Universelle in Paris 1867, the Festival was a performance of 1400 musicians under the dome of the Palace of Industry.
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A monumental, 2-hour programmatic work for band portraying the entire life of Napoleon Bonaparte.
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The Retour des Cendres (“Return of the Ashes”) was the repatriation of the remains of Napoleon Bonaparte from the island of Saint Helena to Paris in 1840.
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If we care about the future of the military band then we owe it to ourselves to listen carefully to its early critics and historians.
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Francis Planté (1839–1934) was a celebrated French pianist renowned for his technical prowess and deeply expressive style.
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Originally published in 1838, Frédéric Berr’s The Need to Reconstitute the School of Military Music on a New Basis to Improve Regimental Music is a treatise on the structure and administration of military bands in 19th-century France.
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Wilhelm Wieprecht (1802–1872) was a visionary German bandmaster, composer, and conductor who revolutionized military and brass band music.
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First published in 1909, Militarism and Music is a thoughtful exploration of the historical relationship between military organisation and musical culture.
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On the History of Instrumental Music is a critical re-examination of how instrumental music emerged, developed, and came to be judged.
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