Kastner: The Singing Flames
The Singing Flames tells the extraordinary story of Frédéric Kastner’s pyrophone, or fire organ.
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The Singing Flames tells the extraordinary story of Frédéric Kastner’s pyrophone, or fire organ.
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In The Spirit of Orpheus, Gabriel d’Olivier asks one of the oldest and most searching questions in musical thought: what does music do to the human being?
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What is music? Does it imitate nature, express the passions, speak a language, or act upon us in some more mysterious way?
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This first English translation makes available an important primary source for musicians, conductors, teachers, historians, and all readers interested in the history of music education, public music-making, and the place of music in society.
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Ernest Closson was one of Belgium’s most distinguished musicologists, serving as a composer, critic, librarian, and scholar during a formative period in the development of modern musicology.
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Francis Planté (1839–1934) was a celebrated French pianist renowned for his technical prowess and deeply expressive style.
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Originally published in 1838, Frédéric Berr’s The Need to Reconstitute the School of Military Music on a New Basis to Improve Regimental Music is a treatise on the structure and administration of military bands in 19th-century France.
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Wilhelm Wieprecht (1802–1872) was a visionary German bandmaster, composer, and conductor who revolutionized military and brass band music.
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First published in 1909, Militarism and Music is a thoughtful exploration of the historical relationship between military organisation and musical culture.
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On the History of Instrumental Music is a critical re-examination of how instrumental music emerged, developed, and came to be judged.
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