Episode 9: A dreadful hullaballoo
What should a military band actually look like?
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What should a military band actually look like?
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How can someone be held responsible for a band’s success while having little authority over the people and resources needed to achieve it?
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How do you build an excellent musical organisation when its musicians are constantly coming and going?
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For Frédéric Berr, writing in 1838, good bands did not appear by accident.
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Why do cultures separated by oceans, deserts, and thousands of years so often create remarkably similar musical instruments?
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This episode examines historical accounts of flutes fashioned from human and animal bones and asks what these extraordinary objects can tell us about the people who created them.
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Can a musical instrument become evidence of human movement?
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When most people hear the word “bagpipe,” they immediately think of Scotland. But the bagpipe is not only Scottish. Versions of the instrument appear across Europe, North Africa, the Middle East, Iran, India, and beyond.
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In this opening episode of The Musical Archeologist, Craig Dabelstein explores a question raised by the Belgian musicologist Ernest Closson in L’Instrument de musique.
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