Before Another Library Burns: how luck shapes music history
Every so often one encounters a story that reveals how terrifyingly fragile our musical inheritance really is.
Read moreCultural Archeologist

Every so often one encounters a story that reveals how terrifyingly fragile our musical inheritance really is.
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If we care about the future of the military band then we owe it to ourselves to listen carefully to its early critics and historians.
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I confess: sometimes I think attempting even a small concert is impossible.
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If you are sad, why would you deliberately choose music that makes you sadder?
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This is the most economical way I know to describe a career spent pursuing a sound that never quite materialised.
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After publishing my reflections on structural conflicts of interest within the wind band world, several predictable objections emerged.
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When roles overlap, perception shifts, authority compounds, and scrutiny softens.
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People talk about a “successful music program” as if it were a simple thing — as if it were merely the result of a good teacher, or enthusiastic students, or a few concerts a year.
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There is something worse than a student who never participates in the arts at school.
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Because emotional responses to sound are shaped by personal history and aesthetic development, no single study playlist works for everyone.
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